
In Peggy Guggenheim’s former kitchen one follows the evolution of the avant-garde, from Cubism to the subsequent ‘isms’: Orphism, here represented by Delaunay and Kupka, and Italian Futurism, here represented by Severini and Balla. Although he was the first, entirely abstract avant-garde painter, Kandinsky was one of the many artists who did not respond to Cubism.
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